Favorite New Fiction
from Small and Micro Publishers

Coping with trauma or loss

The Widow’s Guide to Edible Mushrooms

The Widow’s Guide to Edible Mushrooms

There is much to praise about The Widow’s Guide to Edible Mushrooms, Chauna Craig’s début short story collection. But I was especially taken by the stories’ layered explorations of fraught relationships—and of relationships in transition, owing to divorce, death, or other circumstances.

In “This Is History,” the narrator reflects, retrospectively, on a time of transition in both her family and community. The story takes place at the site of a defunct Montana copper mine, where the narrator (then 12 years old), her parents, and brother have gathered with other locals to witness the destruction of the mine’s smokestack. For the narrator’s mother, whose father worked at the mine, the destruction is cause for sadness, even though the copper industry “left the land raped and polluted,” in the narrator’s eyes. As she observes, “My mother was susceptible to fantasies of golden pasts and golden futures that would erase the daily shin-banging and toe-stubbing of the present.”

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Leaving Is My Colour

Leaving Is My Colour

“I never thought I’d be the kind of person who could say things like, ‘Yes, I’ve spent a little time in jail,’ or, ‘If you count second cousins then, yeah, I’ve had sex with a relative.’ I also never thought I’d be married and divorced enough times for it to be financially sensible to invest in a courthouse parking permit. But, there you go.”

So observes Rachel Bennett, early in the witty, wickedly funny novel in which she stars: Leaving Is My Colour, by Amy Burns. As soon becomes clear, divorce and jail—the consequence of feeding a drug addiction—are far from Rachel’s only problems. The root of many of them is her deeply dysfunctional family: her well-meaning but mostly absent father; her selfish, judgmental mother; and her older sister, Julie, a bottomless source of disparagement and hostility.

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The Expense of a View

The Expense of a View

The central characters in The Expense of a View, Polly Buckingham’s dark and sometimes surreal story collection, face the kinds of suffering that many of us, if we aren’t experiencing them ourselves, would rather turn away from: grief over the loss of a loved one, drug addiction, domestic violence, parental abandonment, mental illness, poverty. Buckingham’s stories immersed me so deeply in these characters’ mental, physical, and emotional states that the barriers between their worlds and mine seemed to dissolve, giving me insights into experiences I might otherwise feel—or seek—distance from.

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The Summer She Was Under Water

The Summer She Was Under Water

A creekside cabin in summertime: it seems like the setting for a peaceful family gathering, unless the family is the one that Jen Michalski brings together in her moving and deftly crafted novel The Summer She Was Under Water. Its members include a physically and emotionally abusive father who is struggling with mental illness; a kind yet conflict-averse mother who has tried to look past the years of damage her husband has done; and two adult children—a long-estranged sister and brother—who share memories of their father’s abuse and of a taboo bond they formed in the wake of it.

The gathering at the family’s cabin threatens to be uncomfortable at best, explosive at worst. But because Michalski gets to the heart of the characters and their conflicts with such care and feeling, she offers more than a strife-laden drama. Instead, her novel is a complex exploration of family dysfunction, one that holds out a measure of hope.

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They Could Live with Themselves

They Could Live with Themselves

An oft-repeated criticism of small towns is that too many residents have an unsavory and insatiable interest in the lives of their neighbors, an interest that no amount of acreage—geographical, emotional, or social—can discourage. One of the many strengths of Jodi Paloni’s début story collection, They Could Live with Themselves, is how it acknowledges a corollary truth: the impossibility of fully understanding the experiences or realities of others—sometimes, even those with whom we share a roof. By immersing us in the lives of residents of one fictional community, Paloni honors, with great compassion and insight, both private realities and the ways in which individuals do—or don’t—connect with others.

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Nanjing Never Cries

Nanjing Never Cries

Tim O’Brien has said that fiction is for “getting at the truth when the truth isn’t sufficient for the truth.” To me, this observation speaks to the strengths of the best historical novels: unlike textbook accounts, such novels convey the consequences and significance of historical events more memorably than mere facts ever could. They do so by connecting readers, emotionally, to characters who are at the center of these events.

In his début novel, Nanjing Never Cries, Hong Zheng builds these connections affectingly, immersing readers in the experiences of those who suffered during the Nanjing (Nanking) Massacre, in which hundreds of thousands of Chinese civilians were raped, tortured, and killed by Japanese soldiers who invaded the city in December 1937, as part the Sino-Japanese War.

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