Described as “prose snapshots,” each of the stories in this evocative, wide-ranging collection captures significant or telling moments, encounters, or observations in 50 words or fewer. Together, they add up to something far greater than the sum of their parts, creating a rich, layered portrait of the human experience.

When I finished Nick Kolakowski’s riveting thriller Boise Longpig Hunting Club, I was eager for a sequel. Over the course of that novel, the central characters–bounty hunter Jake Halligan, his gun-running sister, Frankie, and Jake’s fiancée, Janine–became prey in a “Most Dangerous Game”-style hunt orchestrated by a corrupt and powerful billionaire, Ted Baker, who’d blamed the death of his coke-dealing brother on Jake and Frankie’s late father, a former deputy. Though the trio ended up slaughtering their way to freedom, one thing seemed clear by the novel’s conclusion: When you kill a man like Baker, along with his rich and influential fellow hunters, there are bound to be consequences.

Fortunately for readers like me, Kolakowski just released Rattlesnake Rodeo, a gripping sequel that unleashes these consequences with force, pushing Jake and Frankie into uncomfortable new territory, physically and morally.

In the simplest sense, Rage is a Wolf portrays one young woman’s quest to make a difference in the world and to find meaning in her life, outside of the boundaries of high school. But much to this credit of this imaginative and inspiring novel, her quest is nothing but simple, and it leads to transformative discoveries about herself and the world.

K: A Novel offers a gripping, nuanced exploration of how imprisonment tests a writer–mentally, physically, and morally. Just as compelling is how the novel conveys the writer’s need for self-expression, which never diminishes, even under the most trying circumstances.

With page-turner plots that take us to dark places, on both sides of the law, Chris McGinley’s rural-noir story collection, Coal Black, is a deeply satisfying read. What makes the book even more captivating is how deeply rooted each story is in the book’s setting: the hills of eastern Kentucky, a place of both natural beauty and human struggle, and to certain of McGinley’s characters, a place where figures from local folklore and legends can sometimes feel just as real–and just as threatening–as a gun-toting thief or drug dealer.

In his gripping and thought-provoking new thriller, Maxine Unleashes Doomsday, Nick Kolakowski imagines a post-apocalyptic, post-United States that feels disturbingly plausible, given the way things are going with our climate, our political divisions, and our growing dependence on technology.

Rising seas have turned New York City–the setting of some key scenes–into a nightmare version of Venice. America is no longer just divided; it’s completely fractured, having descended into a conglomeration of rival clans and territories, the highways connecting them under siege by bandits and patriot-movement-like gangs. And in perhaps the darkest development, artificial intelligence has begun to surpass human intelligence, assuming power-grabbing forms that make Alexa, Siri, and robotic vacuum cleaners look downright quaint by comparison.