Some of my favorite novels are those in which the setting is integral to the story. In Valerie Nieman’s thrilling, genre-bending novel To the Bones, the richly rendered setting is inseparable from characters’ fears, strengths, and weaknesses and from nearly every tragedy and triumph in the story.

The novel takes place in Redbird, West Virginia, run for generations by a coal-baron family, the Kavanaughs, whose evils run far deeper than their exploitation of the land and its people. To help achieve their ends, the Kavanaughs seem to draw dark, otherworldly powers from the coal, and from the land itself. And these powers appear unstoppable, until a few townspeople, and an outsider with some otherworldly powers of his own, try to fight back–often, with deadly consequences.

From the start of this fast-paced thrill ride of a novel, the main character, Jake Halligan, is in danger. A bounty hunter, Jake has made lots of enemies among those who break the law, and even among some who enforce it. So when a body of a young woman turns up in his gun safe, it’s possible that one or more of these foes are trying to frame him, or send him a threatening message.

But as Jake soon discovers, bigger, more powerful forces are arrayed against him, for reasons that reach far back before his bounty-hunting days. And he learns that he is to become not the hunter but the hunted, in a decks-stacked-against-him challenge echoing the one at the heart of the classic short story (and movie) “The Most Dangerous Game.”

The most enthralling competitions involve equally talented opponents who have something to prove, ideally a something that runs deeper than the game at hand. In his gripping novel Second Story Man, Charles Salzberg immerses us in this very sort of rivalry, delivering far more than just thrills.

To what lengths should we go for a cause—or a person—we’re passionate about and can’t imagine losing? This question lies at the heart of Julia Stoops’ début novel Parts per Million, a suspenseful and harrowing exploration of high-stakes activism, sorely tested friendship, and uncertainly fated love.

Christopher Irvin’s novel Ragged; or, The Loveliest Lies of All is a page tuner of a mystery/crime thriller, interwoven with a captivating story of family and community. The fact that all the characters are animals never distanced me from the drama; to the contrary, it provided a bracing reminder of the degree to which we’re driven by beastly instincts, which are never as far from the surface as we might wish to believe.

Because of his wealth and power, a serial rapist repeatedly escapes the consequences of his actions. A man beats his wife severely but is somehow found not to have committed a crime. A young man admits—without remorse—to killing a woman he’d been having sex with, and gets a light sentence and an early release from prison. “She was a slut,” the logic goes.

Such situations figure all too often into the news, and sometimes, they are part of our personal histories. But imagine a world in which groups of vigilante women make sure that the men who commit such crimes face real consequences—usually, fatal ones. Rosalie Morales Kearns does just that in her masterful and thought-provoking new novel, Kingdom of Women, set in a not-too-distant future that flows chillingly and logically from our less-than-just present.