In many coming-of-age novels, parents are absent, literally or figuratively. But one of the many distinctions of Elizabeth Earley’s dazzling and incisive new novel, Like Wings, Your Hands, is the interconnectedness of the two central characters: fourteen-year-old Marko and his mother, Kalina. Despite this close connection, Kalina remains a mystery to Marko, a frustration that leads him to make transformative discoveries about her, himself, and a grandfather he’s never met.

In a clothing shop at a local mall, Jesse Albright turns away from her ten-year-old daughter, Sophie, for a moment. When she turns back, she finds that Sophie has vanished, as if into thin air.

Six years later, as Marlene Adelstein’s gripping and affecting début novel begins, Sophie is still nowhere to be found, and authorities have all but given up on the search for her. But Jesse hasn’t. Although almost everything about Jesse’s life has changed–she’s withdrawn from friends and neighbors, split with Sophie’s father, Cooper, and taken to drinking heavily–she continues to hold out hope that Sophie might be alive, somewhere. And in what Cooper and others see as hoarding caused by grief, Jesse fills the home she once shared with him and Sophie with found objects, seeing them as clues that Sophie has sent her to decipher.

Some of my favorite novels are those in which the setting is integral to the story. In Valerie Nieman’s thrilling, genre-bending novel To the Bones, the richly rendered setting is inseparable from characters’ fears, strengths, and weaknesses and from nearly every tragedy and triumph in the story.

The novel takes place in Redbird, West Virginia, run for generations by a coal-baron family, the Kavanaughs, whose evils run far deeper than their exploitation of the land and its people. To help achieve their ends, the Kavanaughs seem to draw dark, otherworldly powers from the coal, and from the land itself. And these powers appear unstoppable, until a few townspeople, and an outsider with some otherworldly powers of his own, try to fight back–often, with deadly consequences.

From the start of this fast-paced thrill ride of a novel, the main character, Jake Halligan, is in danger. A bounty hunter, Jake has made lots of enemies among those who break the law, and even among some who enforce it. So when a body of a young woman turns up in his gun safe, it’s possible that one or more of these foes are trying to frame him, or send him a threatening message.

But as Jake soon discovers, bigger, more powerful forces are arrayed against him, for reasons that reach far back before his bounty-hunting days. And he learns that he is to become not the hunter but the hunted, in a decks-stacked-against-him challenge echoing the one at the heart of the classic short story (and movie) “The Most Dangerous Game.”

The most enthralling competitions involve equally talented opponents who have something to prove, ideally a something that runs deeper than the game at hand. In his gripping novel Second Story Man, Charles Salzberg immerses us in this very sort of rivalry, delivering far more than just thrills.

To what lengths should we go for a cause—or a person—we’re passionate about and can’t imagine losing? This question lies at the heart of Julia Stoops’ début novel Parts per Million, a suspenseful and harrowing exploration of high-stakes activism, sorely tested friendship, and uncertainly fated love.