This gracefully written, heartfelt novel examines the risks and rewards of facing doubts and desires concerning the direction of one’s life, and of trying to act according to these feelings. It also considers the power of close friendships, and how these relationships can sustain us in ways that familial, or marital, bonds might not be able to.
In the acknowledgments section of this beautifully crafted, revelatory collection, Tara Lynn Masih mentions her realization, while putting the book together, that many of the stories are connected by the theme of disappearance. Indeed, the collection explores literal and metaphorical disappearances, and how these lead characters to transformative discoveries about themselves and, in some cases, about the spiritual world.
On August first, Jeff Fearnside’s collection of linked essays, Ships in the Desert, will be published by the Santa Fe Writers Project.
From 2002 to 2004, Jeff served as a U.S. Peace Corps volunteer teaching English in Kazakhstan, and he ended up living there for almost four years. During that time, he worked in Kyrgyzstan as well, and he traveled along the Silk Road throughout Muslim Asia.
In Ships in the Desert, Jeff takes us to the heart of his experiences in Central Asia and considers how they shed light on such universal issues as environmental degradation, and religious and cultural intolerance. To quote a description from the cover of the book:
“Fearnside creates a compelling narrative about this faraway land and soon realizes how the local, personal stories are, in fact, global stories. Fearnside sees firsthand the unnatural disaster of the Aral Sea—a man-made environmental crisis that has devastated the region and impacts the entire world. He examines the sometimes controversial ethics of Western missionaries, and reflects on personal and social change once he returns to the States.”
Recently, Beth Castrodale of Small Press Picks had the pleasure of interviewing Jeff about Ships in the Desert. (In 2017, she reviewed his story collection Making Love While Levitating Three Feet in the Air, praising “its deep explorations of diverse lives and experiences” and “its immersion in place.”)
This searing, emotionally resonant story collection immerses us in the struggles of characters who, in many cases, are trying to make sense of the past, or of murky or troubled relationships–often, when they are at a crossroads in their lives. Haunting virtually all of the stories are traumas from the wars in the former Yugoslavia.
Linforth considers how chasms may exist between family members, or between (current or former) lovers–and how it may be possible to never fully connect with, much less understand, those with whom we share blood, or with whom we’ve shared our lives. Yet sometimes, those chasms can be bridged, and he captures such moments with powerful prose.
Through a powerful combination of prose, poetry, and visual art, The Benefits of Eating White Folks explores an enslaved woman’s determination to survive and persist amid a series of traumas that threaten to break her. And it connects her trials to issues of racial injustice that continue to afflict our country. The result is an unforgettable book, one that holds an unforgiving mirror up to American racism, past and present, showing its ineradicable toll.
On June 15th, Immoral Origins, the first book in Lee Matthew Goldberg’s Desire Card series of international thrillers, will be published by Wolfpack Publishing/Rough Edges Press. The second book, Prey No More, will drop on July 6th. The series is described as mixing “Elmore Leonard with a Tarantino edge. It explores the characters and situations around a card (and sinister organization) that promises ‘any wish fulfilled for the right price,’ and what we will do to survive when money isn’t enough to get everything we want.” You can learn more about Immoral Origins here, and also check out the first chapter of the book.
Recently, Beth Castrodale of Small Press Picks had the pleasure of interviewing Lee about Immoral Origins and the series as a whole.
Spanning three generations and the interconnected lives of multiple characters, The Door-Man is an inventive and revelatory novel. At the heart of it are two possibly unbridgeable gaps: between the central character’s fragmented understanding of his family’s history and the truth, and between an ancestral cycle of tragedy and a potentially hopeful future.