The most enthralling competitions involve equally talented opponents who have something to prove, ideally a something that runs deeper than the game at hand. In his gripping novel Second Story Man, Charles Salzberg immerses us in this very sort of rivalry, delivering far more than just thrills.
A criminal act intensifies the conflict between two estranged and contrary sisters—one a butcher, the other a vegetarian cellist. A mime sublets half of a family’s duplex, then makes them the subject of perhaps the most astonishing trick of his career. A couple enters uncomfortable new terrain in their marriage when one of them believes their toddler has become a devourer of small objects.
This is just a sampling of the offbeat dramas that unfold in Jacob M. Appel’s entertaining and thought-provoking story collection Coulrophobia & Fata Morgana. Instead of running counter to reality, the quirkiness of the stories feels true to the strangeness, and the struggles, of lived experience.
To what lengths should we go for a cause—or a person—we’re passionate about and can’t imagine losing? This question lies at the heart of Julia Stoops’ début novel Parts per Million, a suspenseful and harrowing exploration of high-stakes activism, sorely tested friendship, and uncertainly fated love.
One of the fiction-writing super powers I admire most is the ability to inhabit a wide range of characters and worlds, and to write about each of them with great empathy and understanding. In her story collection This Far Isn’t Far Enough, Lynn Sloan shows a special gift in this regard. She immerses us in the lives of everyone from a deceived and disillusioned widow, to an anxious soldier pulled into a possibly criminal scheme, to a worried mother of an aspiring prizefighter. As Sloan explores the inner and outer and conflicts that these characters face, she does so with deep feeling and insight.
Christopher Irvin’s novel Ragged; or, The Loveliest Lies of All is a page tuner of a mystery/crime thriller, interwoven with a captivating story of family and community. The fact that all the characters are animals never distanced me from the drama; to the contrary, it provided a bracing reminder of the degree to which we’re driven by beastly instincts, which are never as far from the surface as we might wish to believe.
Because of his wealth and power, a serial rapist repeatedly escapes the consequences of his actions. A man beats his wife severely but is somehow found not to have committed a crime. A young man admits—without remorse—to killing a woman he’d been having sex with, and gets a light sentence and an early release from prison. “She was a slut,” the logic goes.
Such situations figure all too often into the news, and sometimes, they are part of our personal histories. But imagine a world in which groups of vigilante women make sure that the men who commit such crimes face real consequences—usually, fatal ones. Rosalie Morales Kearns does just that in her masterful and thought-provoking new novel, Kingdom of Women, set in a not-too-distant future that flows chillingly and logically from our less-than-just present.
Many of the tales in Jan English Leary’s profound, heartfelt story collection, Skating on the Vertical, center on characters who have reached pivotal points in their lives and are trying to figure out next steps, and also themselves. Leary gives the complexity of such turning points its due, immersing us in the soul-searching, self-doubt, and mistakes that are natural—sometimes inevitable—during times of change, difficulty, or discovery.
Because all the stories in Skating on the Vertical are so powerful and resonant, it was hard for me to choose which ones to focus on in this review. To my mind, there wasn’t an off story in the book. So here, I’ll focus on a few stories that give a sense of the range and depth of this fine collection.