Favorite New Fiction
from Small and Micro Publishers

Near Haven: A Novel

Near Haven: A Novel

May 1st, 1988. In Near Haven—Matthew Stephen Sirois’s provocative and deftly paced debut novel—it’s the date a comet is predicted to strike the Earth, ending civilization. In the face of what appears to be certain doom, society crumbles in advance of the comet—from helplessness and hopelessness, and from the violence they fuel.

But not everyone is hopeless, including the novel’s protagonist and conscience, Tom Beaumont, whose story begins about ten months before the comet’s expected arrival. A boat builder in the fictional seaside town of Near Haven, Maine, Tom is skeptical about assurances that the comet will strike, and about pretty much every other variety of received wisdom. His views isolate him from just about everyone other than his friend Neville “Nev” Bradford, who, with Tom, struggles to survive as social order dissolves.

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God, the Moon, and Other Megafauna

God, the Moon, and Other Megafauna

A woman is delivered to love—and, later, to grief—by the powers of the moon and the sea; a father who can speak for the dead, and a son who can speak for animals, find that they can’t communicate with each other; Death, in his adolescence, moves reluctantly toward adulthood and his powers of annihilation.

These are just a few of the characters and situations that figure into Kellie Wells’s fabulist story collection God, the Moon, and Other Megafauna, winner of the Richard Sullivan Prize in Short Fiction. Although this book is slim, its stories are as detail-dense and strange as an enchanted forest, and they are nothing that can or should be rushed through.

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The Widow’s Guide to Edible Mushrooms

The Widow’s Guide to Edible Mushrooms

There is much to praise about The Widow’s Guide to Edible Mushrooms, Chauna Craig’s début short story collection. But I was especially taken by the stories’ layered explorations of fraught relationships—and of relationships in transition, owing to divorce, death, or other circumstances.

In “This Is History,” the narrator reflects, retrospectively, on a time of transition in both her family and community. The story takes place at the site of a defunct Montana copper mine, where the narrator (then 12 years old), her parents, and brother have gathered with other locals to witness the destruction of the mine’s smokestack. For the narrator’s mother, whose father worked at the mine, the destruction is cause for sadness, even though the copper industry “left the land raped and polluted,” in the narrator’s eyes. As she observes, “My mother was susceptible to fantasies of golden pasts and golden futures that would erase the daily shin-banging and toe-stubbing of the present.”

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Leaving Is My Colour

Leaving Is My Colour

“I never thought I’d be the kind of person who could say things like, ‘Yes, I’ve spent a little time in jail,’ or, ‘If you count second cousins then, yeah, I’ve had sex with a relative.’ I also never thought I’d be married and divorced enough times for it to be financially sensible to invest in a courthouse parking permit. But, there you go.”

So observes Rachel Bennett, early in the witty, wickedly funny novel in which she stars: Leaving Is My Colour, by Amy Burns. As soon becomes clear, divorce and jail—the consequence of feeding a drug addiction—are far from Rachel’s only problems. The root of many of them is her deeply dysfunctional family: her well-meaning but mostly absent father; her selfish, judgmental mother; and her older sister, Julie, a bottomless source of disparagement and hostility.

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The Expense of a View

The Expense of a View

The central characters in The Expense of a View, Polly Buckingham’s dark and sometimes surreal story collection, face the kinds of suffering that many of us, if we aren’t experiencing them ourselves, would rather turn away from: grief over the loss of a loved one, drug addiction, domestic violence, parental abandonment, mental illness, poverty. Buckingham’s stories immersed me so deeply in these characters’ mental, physical, and emotional states that the barriers between their worlds and mine seemed to dissolve, giving me insights into experiences I might otherwise feel—or seek—distance from.

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Making Love While Levitating Three Feet in the Air

Making Love While Levitating Three Feet in the Air

Jeff Fearnside’s début story collection, Making Love While Levitating Three Feet in the Air, is rich in so many ways: in its deep explorations of diverse lives and experiences; in its immersion in place, which often becomes a character itself; in the subtle surprises of several tales—surprises that, retrospectively, feel completely earned and natural.

But one of my favorite aspects of the book is the way it explores the solo mission—certain characters’ efforts to find their way, largely alone, through difficult periods or situations in their lives.

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Everyone Loves You Back

Everyone Loves You Back

Benjamin Disraeli once commented, “Change is inevitable. Change is constant.” Some advice that may be implied in that: “Adapt or fail”—a recommendation that can feel survival-of-the-fittest cruel, especially when the changes in question threaten to render you irrelevant, at best.

Changes of a threatening variety definitely conspire against Bob Boland, the protagonist of Louie Cronin’s funny, perceptive, and–dare I say–hopeful début novel, Everyone Loves You Back. A stubborn (and cranky) yet pragmatic rebel, Bob charts an entertaining course between thumbing his nose at these changes and adapting to them, so much as he is willing to do so, on his own terms. For that reason I consider him, and this novel, an inspiration, especially in these dark political times.

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